UK's Original Manga Magazine

Thursday 15 September 2016

Manga, Comics and Graphic Novels Competition


The U.K.'s MANGA innovators BIG BANG! MANGA are looking for the 15 best talents in graphic story telling for an exhibition in London. Provide your 8 page Manga/Comic/Graphic Novel and one scene as a drawing or painting for an exhibition and submit a Manga story one page creation, such as your favourite character(s), as a drawing or painting on art cardboard or Canvas (minimum size A3). Use ink, crayons, acrylics or oil. Out of the nominations, the award-winning artists will get prizes including 3 months London Manga artist in residents (studio space) and a London Gallery solo exhibition.
The award categories are grouped in 5 different areas: best artwork, best character, best storytelling, most innovative and public vote.
Manga Submission Guideline: http://mangabigbang.co.uk/submission/


Deadlines: arrival of your artwork in London 1st November 2016, nomination announcement on 20 November 2016, exhibition in London of the 15 nominated artworks from 15th - 31st December 2016.
Address for your artwork admission: PO BOX 67693, LONDON NW11 1LY
An international expert jury will select the winners. Amongst the jurors are: Dr Vivian Wijaya, Founder of Manga Big Bang! and Dr.Vee Mangaka Club and Wilfried F. Rimensberger, Creative Producer.
A public vote by visitors to the Nomination Exhibition determines the Public Award winner.

http://www.mangabigbang.co.uk/

Monday 1 February 2016

Manga and Comic Book: Who is it for?

Manga and Comic Book: Who is it for?


                Did you read manga or comic books growing up? Even if you’re not an avid reader chances are you’ve read and enjoyed them at some point of your life, whether it is manga style Japanese comic book, bande dessinée, American superhero comic, newspaper comic strip or any other form. Lately there are many labels created for people, especially older people who read and enjoy comic books such as geek, nerd, weeabo, otaku and so on. These are not the most flattering terms, and before you start defending the title as badge of honor, let’s see why these labels are created in the first place.

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                When I was growing up (I was born in the late 70’s) there was no such labels, kids would read comic book and it is a normal thing. There are a few adults who read them, many more in Japan, but it never crossed my mind that these people are weird or different than any other adult. In fact, I thought they are cool because they seem to be young at heart and is enjoying the good things in life. But can you imagine now in this day, to have an adult person in impeccable business suit sitting in an office lounge (not an entertainment media company!) reading comic book instead of a copy of the economist? I can, in fact I expect that to be the norm, because why shouldn’t it?

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                The problem with comic books these days is the lack of diversity. Take a look at the history of American comic books. The golden era, from late 1930s to early 1950s was triggered by the release of Superman comics. However the glory did not last and soon publishers are forced to diversify genres to keep public interest going. In Japan, the manga industry was started with the rise in popularity of author Osamu Tezuka post World War II who experimented with genres never before touched in comics. Soon the other creators follow suit and various genre of comics are created. Though there is such diversity in the past, the trend we see these days is that major publishers are narrowing down the genre of comic books released in fear of taking a risk. The obsession in pleasing the loyal customers in the niche market (I hate to use the term, but I mean geeks, nerds, otaku, weeabo, and so on) had caused a vicious cycle in which the more geek-pleasing the comics are released. These are the less relatable and intimidating works to newbie comic book readers.
                Wouldn’t it be great if creators can take matters into their own hands and start thinking about the regular people, the majority of people who never picked up a comic book before to start enjoying comic books?
After all, wouldn’t it be better to have 100 times more readers than pleasing only a few who can understand the cryptic language of the otaku?

I wouldn’t go as far as saying kill all the subculture comics or works that focuses on geek issues, but the comic industry can make use of more stories that can resonate with average people.

http://www.mangabigbang.co.uk/