UK's Original Manga Magazine

Wednesday, 3 December 2014

27 Clients From Hell You Definitely Never Want To Work With



Aspiring professional manga creators have to sometimes take up a freelancing illustration job from time to time to make ends meet, but some jobs (or clients) are really not woth picking. Here is why.

27 Clients From Hell You Definitely Never Want To Work With

“I’d like the white space more if there was more stuff in it.” Clients From Hell has compiled stories about all the worst clients in the world. Here are some of the best.
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clientsfromhell.net / ThinkStock / mehmetdinler / BuzzFeed /

Clients From Hell is a hilarious compilation of terrible real-life experiences freelancers have had with their clients. BuzzFeed spoke to Bryce Bladon, the man behind the site, to find out more.


Bladon said that although he’s had relatively limited contact with his own clients from hell, they’re people most freelancers will have encountered:
Anyone who spends a substantial portion of their professional career freelancing will run into them. The variable is how many, how often, and how far you’re willing to work with them. It’s worth noting that it’s not just freelancers who have to deal with bad clients; be it retail workers and crummy customers, or servers and frustrating patrons, crappy clientele is an aspect of work that’s almost unavoidable.
A whole range of professions have used the site to air their frustrations with difficult clients. Bladon:
It was initially designer-based, but it quickly bloomed into other creative professions (e.g. copywriting, photography, etc). Digitally based work and IT are other big sources. We’ve always had a wide range of submitters, though. Fast-food workers, plumbers – all sorts submit.
He singled out designers as having the most difficult time communicating with their clients:
It’s a relatively ethereal profession, in terms of defining and communicating its worth (and your expertise in it) to clients. There are rules, but those rules can be broken by the best. As a result, it’s misunderstood, and a lot of clients assume their own expertise in it.
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To avoid being a Client From Hell, Bladon has these rules to live by:


There are two reasons a client hires someone: Either they don’t have the time, or they don’t have the talent. They need to appreciate that. Don’t waste your time breathing down the person’s neck if you’ve properly vetted them; that wastes everyone’s time. Likewise, don’t shy away from trying to understand some of their decisions – this person you’ve hired is there to meet your specific and unique needs, so you need to appreciate how. You also need to appreciate that they’re almost definitely better at what they do for a living than you are.
http://www.buzzfeed.com/jobarrow/sorry-did-you-actually-want-comic-sans?bffb#.boe2Bl1Zkx 

http://www.mangabigbang.co.uk/

Wednesday, 26 November 2014

DMC Q&A: Is DMC the place for me to learn manga?


Ohayo Gozaimasu sensei! ^^
Let me introduce myself, My name is A##.. I am a senior year high school student in Lampung.
sensei,.. I am graduating soon, and I am confused as to what to do next. I heard that in DR.VEE MANGAKA CLUB (manga school) I can study how to create manga etc. which is aligned with my hobby of drawing anime/manga. I am very interested in studying at your place so I can achieve my dream to be a professional manga/anime creator. Would that be possible? How can I register and what is your system? Are there examinations or is it a private course? I am eagerly waiting for your answer.
Arigatou..
A:
Hi A##,
We take on 3 kinds of students in DMC: aspiring professionals, professionals who wants to brush up on their skills, and hobbyists. The curriculum is exactly the same, but how we direct each kind is different. We are not just a private tutorial provider, but a club with holistic support system to help our members achieve his/her objective in most efficient/effective manner.
How we are different from universities and other academic institutions is that we at DMC prioritize practicality and result. Theories and history are given minimally only to enable you to grasp new concepts and current trends. We do not have internal examinations, because the real examination is manga competitions and pitching for professional publishers. What we do instead, is monitor your progress and hassle you to achieve high professional standards so you can try for those and be functional in the real world.
We believe that everyone has the potential to be successful in manga & animation. As everyone is unique, it is our job to help you find your path to achieve that.
Our members come from different backgrounds and it is an advantage for all to be able to see each other's works and hear inputs on the works during class.
Our courses are also useful as supplement for illustrators and film script writers.
Information on registration: http://www.drveemangakaclub.com/courses
Don't forget to check out our new DA site too! http://drveemangakaclub.deviantart.com/

Warmest regards,